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M8 75mm HMC

by Don Porter

A Little Introduction

In 1941, the U.S. Army saw the need for a vehicle that had enough firepower to be effective against fortified targets, but fast and lightweight enough to keep up with reconnaissance units. This would really come into play in '44 as Airborne Units raced across Europe.

An order was placed for two experimental armored vehicles. Armament would need to be either the 75mm or 105mm Howitzer. The first was based on the M3 half-track and the other on the M3 Stuart Light Tank using the 75mm main gun. Because of the need for an "All Terrain Vehicle" that had a sufficient amount of protection, the light tank was chosen and after some consideration, the order was changed to the M5 light tank.

The Cadillac division of General Motors received the contract for the M5 and used two V-8 automobile engines (That’s the only thing that resembled it’s luxurious cousin). There had been a lot of skepticism over the reliability of this system. To dispel any doubt, the first M5 prototype was driven 500 miles from the factory to the proving grounds…. that took the wind out of their sails. The M5 Chassis proved a very reliable choice for the M8 HMC. The turret was not able to withstand the recoil of the higher caliber, so the turret ring was expanded and the turret was left open at the expense of the two hatches on the main deck. These were replaced with four small vision ports and the hatches moved to the front glacial plates.

As the Allied forces converged on Normandy, the M8 would be used for the first time in significant numbers. There were a total of 1778 produced from September of 1942 until production stopped in January of 1944. The French were the only other force to use the M8 through Lend-Lease.



Construction…Easy Does it

I must admit that there isn’t any earth shattering tidbits to be found in my construction of this model. The kit is from Tamiya and it was excellent. I spent some time researching the M8 and was really pleased with the accuracy. I divided the kit into five sub-assemblies: the turret, the upper deck, the under carriage (along with the interior), the wheel assemblies and the tracks. All Gun barrels are drilled out. This Article is really on Finish so let’s get down to business.


Adding the Scales to the Dragon

All Rolled Steel and Cast Steel have some amount of texture. To bring this to life on the M8, I applied Testors model Glue to a small area that I wanted to texture. If you’re not careful it begins to dry and get very stringy…. what a mess! Continue in small sections until you satisfied. Make sure you leave fenders and other sheet metal panels smooth. The contrast will make both smooth and rough surfaces stand out as in this photo. Test the glue method on a scrap piece or better yet if you have an old model lying around.



Making Mud Pies

Mud pies haven’t been this good in years. I took Squadrons Green Putty and “caked” it all along the bottom of the under carriage. Next I took sand and small pebbles and embedded them into the putty. It gives a nice contrasting surface that shows up nice with dry brushing.


War Paint

Giving the Glue and the putty plenty of time to dry and cure ( 48 hours) I left the five sub-assemblies apart for painting. The first coat was an almost black-brown using Poly-S paint. After this was given enough time to dry I over sprayed the entire kit with Poly-S Dark Green. The tracks are painted black and then a dark brown along the outside rim of metal links.


The Wash

I personally like the “Dry Wash” method for the shading effects. I would completely destroy a base coat 1 out of 5 times with a wash over the entire model. Dry wash is when you apply a mixture of Artist oil paint mixed with Turpentine (30% paint-70% Turpentine) to panel lines, recesses and Raised areas only. The mixture will gather around the raised detail and will be more defined than if you wash the entire model.


The Highlight of the Evening

Now I assemble all the sub-assemblies and the dry brushing will now commence. I start with the base color and just a shade of white. The white is acrylic artist paint mixed with the Poly-S Dark Green. I never use Artist Oils for highlighting for one reason…they make the model look like it’s had icing smeared over it. That’s O.K. if it attacked a bakery! Oils seem to build up quickly but artist acrylics have the thickness that you need but don’t seem to overtake the details. I know there are those who use Oils very effectively. I’m just not one of them.

Usually, I apply about 6 to 7 shades of dry brushing, adding a little more white each time. The effect of each proceeding time should not be too noticeable. I add a hint of yellow to the last two coats to give it more of an “olive” tint to U.S. Vehicles. The one effect I want to achieve is faded paint. Yes, I want to bring out detail, but I also desire the stone washed look of “sun faded”. As other washes and chipped or worn paint are added, they really show up well.


Details…Details

Painting all details such as tools, the 50 cal., the rubber on the wheels, spare track (they are really “grousers” that give traction in mud and snow), and the caked mud on the under-carriage. These are all shaded and highlighted. The cloth covering the .50 cal was made of facial tissue that was wet and formed to the gun. The figure is from Dragon’s U.S. Tank Crew and painted with acrylic. Usually I use Oils but not on this guy. The netting on his helmet was made from cheesecloth stretched over the helmet with a layer of glue applied then the underneath was ground off with a Dremel. The Decals are applied from the kit.


No worse for wear

This is my favorite part. As you can see, I love making the worn areas in as many places as possible. It’s the best way to make light, fragile plastic look like heavy, clumsy metal that I know! I started with Dark Brown Poly-S Paint and then a 00 Windsor & Newton red sable. Paint along all the exposed areas that look like they would be scraped and worn. Also along panel lines where rust would typically start and paint would chip. The Shapes must be very definite and irregular to be effective. The M8 received a bigger dose of the worn & chipped paint effect than I usually give. The normal rule is …A little dab will do you. Make sure the shape remains full color. If the color is showing through or not very definite, the paint looks like what it is…. paint.


 


Pastels (so subtle but yet so effective.)

I used to be freaked out by this powdery substance, but now I can’t live without it. The “Grouers” on the sides of the turret are a perfect example of what can be done. Tracks are not painted so they are the first to rust. Here’s what I do. The tracks are painted brown. After they dry, apply a brown pastel color liberally. Then take “Orange” pastel powder and highlight it. The orange really makes a tremendous effect. Do the same with the lower tracks but keep the orange to a minimum. Black pastels are added to the muzzle of the 75mm cannon, around the gas caps and sparingly in other areas. Along panel lines and crevices I add a brown pastel to simulate dust and a little orange for rust.


The Foundation

The wood base is hardwood and custom made. Why spend all that time working on your project and not set it on a proper base! I used “Cell-U-Clay” for the groundwork with various rocks and sand. Static Grass was added and everything washed and highlighted. The helmet lying in the grass is a Verlinden German helmet with liner and the straps are yellow electric tape.

The End

Overall this kit was a lot of fun. Isn’t that what it’s all about!



References

  • M3 & M5 Stuart Light Tank 1940-1945 (New Vanguard 33), Osprey Publishing, Steven J. Zaloga, 1999

  • The World’s Great Tanks from 1916 to the Present Day by Roger Ford 1997

  • M8 HMC: Tamiya Model Kit Description & instruction from Kit #35110